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An extract of the live performances as part of the viewing of Shojo Tsubaki(?)

A review of Hiroshi Harada's Shojo Tsubaki (1992)

One of my dreams would be to attend a live viewing of Shojo Tsubaki

fyeahwomenartists:

Olek and the Charging Bull

fyeahwomenartists:

Video from PBS featuring interviews with previously featured Artists of the Day Olek and Swoon

(Source: youtube.com)

houseofmind:

mindovermatterzine:

fuckyeahmedicaldiagrams:

What have you got in your head?  by Sara Ansanghi

A series of human brains made with different foods.
17 cm x 12 cm each

Extra links here and here (individual images). 

(via queennubian)

fyeahwomenartists:

Twenty Women Artists, 1980Photographed by Neal Slavin for the cover of ARTnews
Featuring: Barbara Zucker, Faith Ringgold, Barbara Schwartz, Rosemarie Castoro, Charmion von Wiegand, Louise Bourgeois, Miriam Schapiro, May Stevens, Hannah Wilke, Joyce Kozloff, Nancy Holt, Elaine de Kooning, Dorothea Rockburne, Isabel Bishop, Jackie Ferrara, Nancy Graves, Colette, Audrey Flack, Rachel bas-Cohain, Laurie Anderson
(via Goldberg McDuffie Communications, Inc.)

fyeahwomenartists:

Twenty Women Artists, 1980
Photographed by Neal Slavin for the cover of ARTnews

Featuring: Barbara Zucker, Faith RinggoldBarbara Schwartz, Rosemarie CastoroCharmion von WiegandLouise BourgeoisMiriam SchapiroMay StevensHannah WilkeJoyce KozloffNancy HoltElaine de KooningDorothea RockburneIsabel BishopJackie FerraraNancy GravesColette, Audrey FlackRachel bas-CohainLaurie Anderson

(via Goldberg McDuffie Communications, Inc.)

fyeahwomenartists:

Kate GilmoreThe Hand That Feeds You Video still 2006

fyeahwomenartists:

Kate Gilmore
The Hand That Feeds You
Video still
2006

fyeahwomenartists:

Kazumi TanakaCommunion Wood, steel, plates, water 1996-1997
The quiet in the land: everyday contemporary life, contemporary art and the Shakers Artists’ residency and exhibition organized by France Morin in collaboration with the United Society of Shakers, Sabbathday Lake, Maine. Original residency May 28 through July 2, 1996 The quiet in the land was an unusual Art Project in which ten contemporary artists had the privilege of living and working together with the only existing Shaker community in the United States. After reflecting on the experience, I decided to create an installation which involved my feeling about their dining room. It was the most memorable place for me. Whatever I touched and wherever I looked held the beautiful history of their existence. I wanted to express my appreciation, and to celebrate their lives through the piece.

fyeahwomenartists:

Kazumi Tanaka
Communion
Wood, steel, plates, water
1996-1997

The quiet in the land: everyday contemporary life, contemporary art and the Shakers
Artists’ residency and exhibition organized by France Morin in collaboration with the United Society of Shakers, Sabbathday Lake, Maine. Original residency May 28 through July 2, 1996
The quiet in the land was an unusual Art Project in which ten contemporary artists had the privilege of living and working together with the only existing Shaker community in the United States.
After reflecting on the experience, I decided to create an installation which involved my feeling about their dining room. It was the most memorable place for me.
Whatever I touched and wherever I looked held the beautiful history of their existence. I wanted to express my appreciation, and to celebrate their lives through the piece.

fyeahwomenartists:

Kazumi TanakaEat as Much as You Want Homemade cake, glass plate, light stand, fabric 11 x 11 x 46 in. 1992
When we were kids our parents bought us rabbits. One was black, the other was white. The white one lived four days, the black one lived five days. They died because we overfed them. I realized that if you love things too much, you often can kill them.

fyeahwomenartists:

Kazumi Tanaka
Eat as Much as You Want
Homemade cake, glass plate, light stand, fabric
11 x 11 x 46 in.
1992

When we were kids our parents bought us rabbits. One was black, the other was white. The white one lived four days, the black one lived five days. They died because we overfed them.
I realized that if you love things too much, you often can kill them.

An extract of the live performances as part of the viewing of Shojo Tsubaki(?)

A review of Hiroshi Harada's Shojo Tsubaki (1992)

One of my dreams would be to attend a live viewing of Shojo Tsubaki

fyeahwomenartists:

Olek and the Charging Bull

fyeahwomenartists:

Video from PBS featuring interviews with previously featured Artists of the Day Olek and Swoon

(Source: youtube.com)

houseofmind:

mindovermatterzine:

fuckyeahmedicaldiagrams:

What have you got in your head?  by Sara Ansanghi

A series of human brains made with different foods.
17 cm x 12 cm each

Extra links here and here (individual images). 

(via queennubian)

fyeahwomenartists:

Twenty Women Artists, 1980Photographed by Neal Slavin for the cover of ARTnews
Featuring: Barbara Zucker, Faith Ringgold, Barbara Schwartz, Rosemarie Castoro, Charmion von Wiegand, Louise Bourgeois, Miriam Schapiro, May Stevens, Hannah Wilke, Joyce Kozloff, Nancy Holt, Elaine de Kooning, Dorothea Rockburne, Isabel Bishop, Jackie Ferrara, Nancy Graves, Colette, Audrey Flack, Rachel bas-Cohain, Laurie Anderson
(via Goldberg McDuffie Communications, Inc.)

fyeahwomenartists:

Twenty Women Artists, 1980
Photographed by Neal Slavin for the cover of ARTnews

Featuring: Barbara Zucker, Faith RinggoldBarbara Schwartz, Rosemarie CastoroCharmion von WiegandLouise BourgeoisMiriam SchapiroMay StevensHannah WilkeJoyce KozloffNancy HoltElaine de KooningDorothea RockburneIsabel BishopJackie FerraraNancy GravesColette, Audrey FlackRachel bas-CohainLaurie Anderson

(via Goldberg McDuffie Communications, Inc.)

fyeahwomenartists:

Kate GilmoreThe Hand That Feeds You Video still 2006

fyeahwomenartists:

Kate Gilmore
The Hand That Feeds You
Video still
2006

fyeahwomenartists:

Kazumi TanakaCommunion Wood, steel, plates, water 1996-1997
The quiet in the land: everyday contemporary life, contemporary art and the Shakers Artists’ residency and exhibition organized by France Morin in collaboration with the United Society of Shakers, Sabbathday Lake, Maine. Original residency May 28 through July 2, 1996 The quiet in the land was an unusual Art Project in which ten contemporary artists had the privilege of living and working together with the only existing Shaker community in the United States. After reflecting on the experience, I decided to create an installation which involved my feeling about their dining room. It was the most memorable place for me. Whatever I touched and wherever I looked held the beautiful history of their existence. I wanted to express my appreciation, and to celebrate their lives through the piece.

fyeahwomenartists:

Kazumi Tanaka
Communion
Wood, steel, plates, water
1996-1997

The quiet in the land: everyday contemporary life, contemporary art and the Shakers
Artists’ residency and exhibition organized by France Morin in collaboration with the United Society of Shakers, Sabbathday Lake, Maine. Original residency May 28 through July 2, 1996
The quiet in the land was an unusual Art Project in which ten contemporary artists had the privilege of living and working together with the only existing Shaker community in the United States.
After reflecting on the experience, I decided to create an installation which involved my feeling about their dining room. It was the most memorable place for me.
Whatever I touched and wherever I looked held the beautiful history of their existence. I wanted to express my appreciation, and to celebrate their lives through the piece.

fyeahwomenartists:

Kazumi TanakaEat as Much as You Want Homemade cake, glass plate, light stand, fabric 11 x 11 x 46 in. 1992
When we were kids our parents bought us rabbits. One was black, the other was white. The white one lived four days, the black one lived five days. They died because we overfed them. I realized that if you love things too much, you often can kill them.

fyeahwomenartists:

Kazumi Tanaka
Eat as Much as You Want
Homemade cake, glass plate, light stand, fabric
11 x 11 x 46 in.
1992

When we were kids our parents bought us rabbits. One was black, the other was white. The white one lived four days, the black one lived five days. They died because we overfed them.
I realized that if you love things too much, you often can kill them.

fyeahwomenartists:

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Food and Space

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